photo by Robyn Murphy
Hippy Dribble
In The Beginning…
Hippy Dribble was one of the alter-egos of the Plunderers: Stevie Plunder on guitar and vocals, Nic Dalton on bass and vocals and Geoff Milne on drums. The Plunderers first played under the name ‘Hippy Dribble’ for Geoff’s debut show with the band in late 1988 at the Kauri Hotel in Glebe (at the Proton Energy Pills first Sydney show). Geoff was replacing Pete Pillage, whose last show (billed as “All Petered Out!’) with the band was a couple of weeks later on the 29th December.
They originally formed as a separate entity to celebrate the 20th Anniversary of the Woodstock festival by putting on a huge night at the Lansdowne Hotel in August 1989 called the “Love-In Reunion”. The night was sold out by 9pm and was one of the biggest and most memorable nights ever at the venue (but if you remember it you weren’t really there, right?) and Hippy Dribble were joined on stage by Fudgetunnel (anti-hippies, Velvets-style Hummingbirds) and Swirly Maharajahs (a potpourri of Moffs and Hellmenn, who musically stole the show, according to their guitarist). All Petered Out!
Read more...Documents show that Hippy Dribble hired some special outfits for the night: 1x red/green jacket, musketeer hat, wig, headband & feather, 1x Indian vest, green wig, 1x purple vest and cleo wig. Hmmm, wonder what a ‘cleo wig’ is? For two weeks the Plunderers had been learning a special set of late-Sixties classics done acid-style (Open My Eyes, Nights In White Satin, Almost Cut My Hair, If You’re Going To San Francisco) and then proceeded to get totally fucked-up and ‘de-learn’ the songs on the big night. Their art co-ordinator Jay made dozens of huge peace signs to hang from the ceiling and not long before showtime it was realised that dozens of Mercedes Benz logos had been hung around the Lansdowne! With the help of some masking tape they were ready to proceed with the show.
Hippy Dribble decided to continue as a band proper, separate from their main outfit. Jon Casimir wrote in the Sydney Morning Herald: “What do you do when you write more songs than you could possibly use? Overwhelmed by their own song writing prolificacy, Nic Dalton, Stevie Plunder and Geoff Milne (collectively known as The Plunderers) were recently faced with the choice of either dumping some of their favourite songs from the set or radical surgery. Love In! They opted for the latter and, thanks to modern science, have now become three bands, each with it’s own personality”.
In June 1990 they entered the old Troy Horse studio on King Street, Newtown to record four songs for an EP. In typical Plunderers fashion, the band decided to celebrate the up-coming “Love-In Reunion” Woodstock night again in August but this time by launching their new EP and playing an entirely original set – just to confuse the audience! They were joined once again by Swirly Maharajahs and lovers of everything sixties Elastique Mindbladder.
The poster for the gig said: Hippy Dribble will be making their debut as a real band with an all-original set they have spent months concocting. But that’s not all! On the same Saturday the 25th August, Hippy Dribble will launch their first record! It is called Wild Strawberri and is a 12 incher and features four tunes “Take a Ride”, “Dog The Bone’, “Motels On My Mind” and their theme song “Hippy Dribble”. It was a busy time for the boys, as on the following Saturday, The Plunderers launched their new 7 inch single “Christo” at the Annandale Hotel (wrapping as many objects as possible in the venue!).
Wild Strawberri
Released on their own label Trip Records, Wild Strawberri contained a very early Plunderers song “Take a Ride” which was one of the first songs that Stevie and Nic wrote together. “Motels On My Mind” dated back to their days with Get Set Go (a folk-pop outfit with Stevie on bass, Nic on drums, future Falling Joy Suzie Higgie on guitar and her sister Jenny on Casio keyboard). The two remaining songs were written especially for Hippy Dribble. The Plunderers were now in a strange position where they had two completely separate bands, both vying for the songs that the Plunder/Dalton/Milne team were churning out. set list They had created a sometimes frustrating situation where the Plunderers fans assumed that the Dribble were strictly a silly sixties side project for the boys when in fact a lot of the more contemporary cutting-edge songs and Sonic Youth-inspired epics were joining the Dribble set rather than the Plunderers.
In an interview with Rave mag, Nic said: “People think we’re stupid because we released a Hippy Dribble record. We just like to give it different names because people think ‘Oh, the Plunderers, they do three-minute pop songs’, so we give it a name. It’s sort of like an actor playing a part.” When asked why they had two very similar bands hitting the live circuit, they would reply that they had too many songs to play in one set so it made sense to split them over two bands. This all came to a head on New Years Eve in December 1991 at the Annandale when Hippy Dribble supported the Plunderers and, according to most reports, blew the headliners off stage!
Cheerleader
In 1990, The Plunderers had just had a great deal of success with their “Sarah’s Not Falling In Love” 10 inch (“The Shining” on the b-side has a chorus of ‘hippy dribble’ chanted over and over) so it only made sense to follow it up with a classic pop number called “Cheerleader” by Hippy Dribble, didn’t it? If strong-armed by a major label (who wouldn’t go near them) “Cheerleader” would have definitely been released under the Plunderers name but this song (written by Nic and Tom Morgan at the old Half A Cow store) was given to Hippy Dribble to ‘catch up’ to the Plunderers! As they had to pay for all their own studio time, the recording of the song went from June 1991 to February 1992 over three different studios.
Based on a true story about a 26-year old man Charles Daugherty who enrolled in a high school as a girl and got into the all-girl cheerleading squad, escaping detection for a week, the song starts off with the same drum pattern from “Sarah” before launching into the bubblegum chorus. The “Cheerleader” 7 inch was released in 1992 when Half A Cow did a deal with Regular Records. Three songs appear on the b-side, most notably “Eskimo” which is a different version to the one that is on the Silver Apples compilation. The “Cheerleader” cd single wasn’t released until 1993 with a karaoke version included plus two versions of “Eskimo”. A cartoon video of the title song was also made by their friend Jay Manby. They even made a fan out of Dr Karl who described the song as “…the greatest piece of music ever written in the history of the human race, after Beethoven’s Later String Quartets and Muffin Man by Frank Zappa”. Despite its catchy chorus and radio potential, the single sank without a trace but this can mainly be attributed to the fact that by the time the single came out the band was unable to promote it (Nic was in the US playing with The Lemonheads and Stevie who, having already formed the Whitlams, was also playing guitar in the latest version of Rob Younger’s New Christs).
One show that is worth a mention was when Hippy Dribble supported Dread Zeppelin and Mojo Nixon at Selinas on Saturday 11th January, 1992. Apart from being extremely late (which stressed out the promoter Roger Grierson), the band played early to a half-empty room. This didn’t deter the band from putting on their full show, which concluded with a violin – no, not what you’ve seen done by Jimmy Page or the guy out of The Creation either. While Nic made monster noises with the violin bow scrapping across the bass strings, Stevie grabbed the violin by the head and attacked his guitar with it – not the underside either, but the violin strings and bridge down hard onto the guitar. Nic, with bow in hand, came over to Stevie and started playing the violin as well until it all exploded everywhere!
Barry Divola wrote in the review for The Drum Media: “Hippy Dribble were the Plunderers with blinding trousers and no inhibitions. They’re the band that Pebbles compilation forgot. They’re tripping in the bubblegum garage. Some of the songs are about drugs, some are about girls, and some are about drugs and girls. They’re as sloppy as a bowl of porridge, but they’re a lot louder and a lot more fun. By the end, Stevie is scraping the back of a violin over the pickups of his screeching Strat, Nic balances his bass precariously on one hand while sawing a bow across the neck, and Geoff flails away like he’s auditioning for The Electric Mayhem”.
Another reviewer in OTS wrote: “I found Hippy Dribble so awful that to think about them hard enough to review their performance would surely make me puke!!”
Before Nic went away in May 1992, Hippy Dribble recorded the six songs that were going to follow on from “Cheerleader” on a proposed 12 inch mini-album (in their lifetime, the Plunderers never released a cd – only 7, 10 and 12 inchers). Apart from new songs like “Spree” and “That’s Wow” were another two songs dating back to the Canberra days of Get Set Go in 1984 , Stevie’s “Just Another Dream” and “Oceans So Deep”. Special guests included The Smudge Choir on backing vocals and Half A Cow Store work experience teen Nyree Webster on the flute. Because of Half A Cow changing their distribution from Regular to Mercury, the recordings didn’t surface until March 1995 under the title Silver Apples and included all the Hippy Dribble recordings (as well as Captain Denim’s Fade).
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Wild Strawberri
Silver Apples
Cheerleader
Discography
Silver Apples
Silver Apples (hac34)
released by Half A Cow 1995
1. Cheerleader
2. Spree
3. Just Another Dream
4. Silver Apples
5. That’s Wow
6. People, Why’re You Weeping?
7. Oceans So Deep
8. Take A Ride
9. Dog The Bone
10. Motels On My Mind
11. Hippy Dribble
12. Lurve
13. Filthy
14. Eskimo
Captain Denim:
15. Last Time
16. Crayon Cafe
17. Dying (So long)
18. And So The Story Goes
Track 1 recorded and mixed by John Hresc at Sun, Powerhouse and Rich studios, June 91 to Feb 92. Tracks 2-7 recorded and mixed by Michael Levis at Troy Horse 1990-1992. Tracks 8-11 recorded 27th June 1990 by Brian Goodsworth at Troy Horse. Track 12, 13, 14 (Eskimo 1 & 2) recorded and mixed by Michael Lewis at Troy Horse, Dec 90 to March 92. Tracks 15-18 recorded by Michael Levis at Troy Horse Studio, Newtown, Winter 1991.
Eskimo, Eskimo 2 and a new mix of Cheerleader appears on Plunderers’ Banana Smoothie Honey (hac93). Tracks 8-11 previously released on Wild Strawberri 12” EP. Tracks 15-18 previously released on Captain Denim’s Fade 10” EP.
*****
In Sydney during the late 1980s and early 1990s, the Plunderers were quite a prolific band. So much so, that they formed two spin-off bands: Hippy Dribble and Captain Denim. Stevie Plunder, Nic Dalton and Geoff Milne released two records under the name Hippy Dribble – Wild Strawberri and “Cheerleader’” and one 10 inch by Captain Denim titled Fade. All these songs plus the new Silver Apples recordings can now be found on the one disc – everything the Plundees recorded for their two spin-off bands.
Released on their own label Trip Records, Wild Strawberri contained a very early Plunderers song “Take a Ride” which was one of the first songs that Stevie and Nic wrote together. “Motels On My Mind” dated back to their days with Get Set Go (a folk-pop outfit with Stevie on bass, Nic on drums, future Falling Joy Suzie Higgie on guitar and her sister Jenny Higgie on Casio keyboard). The two remaining songs were written especially for Hippy Dribble.
Tom Morgan and Nic Dalton wrote “Cheerleader” for Hippy Dribble and was originally released on 7” (moo07) and cd (hac18) with b-sides “Eskimo”, “Eskimo 2”, “Lurve” and “Filthy”.
The Plunderers recorded six songs (tracks 2-7) that were going to follow on from “Cheerleader” on a proposed 12 inch mini-album (in their lifetime, the Plunderers never released a cd: only 7, 10 and 12 inchers). Apart from new songs like “Spree” and “That’s Wow” were another two songs dating back to the Canberra days of Get Set Go in 1984 , Stevie’s “Just Another Dream” and “Oceans So Deep” (co-written with Suzie Higgie).
Special guests included The Smudge Choir on backing vocals and Half A Cow Store work experience teen Nyree Webster on the flute. Because of Half A Cow changing their distribution from Regular to Mercury, the recordings didn’t surface until March 1995 under the title Silver Apples and included all the Hippy Dribble recordings (as well as Captain Denim’s Fade).
Cheerleader cd
Cheerleader (hac18)
cd released by Half A Cow 1992
1. Cheerleader
2. Eskimo
3. Cheerleader Karoke Mix
4. Eskimo 2
Cheerleader recorded and mixed by John Hresc at Sun Powerhouse & Rich, June 91 to Feb 92. Eskimo and Eskimo 2 recorded and mixed by Michael Lewis at Troy Horse, Dec 90 to March 92. Cheerleader and Eskimo 2 also appears on Silver Apples (hac34). Eskimo, Eskimo 2 and a new mix of Cheerleader appears on Plunderers’ Banana Smoothie Honey (hac93).
The Blue Tinge
The Blue Tinge (hac220)
digital release by Half A Cow June 2019
Live in the studio 3rd September 1990 with Michael Levis riding the ‘altered states’ cassette
1. What’s Her Name
2. Pisces
3. Take A Ride
4. Lena Lee
5. Oceans So Deep
6. Together All The Time
7. Just Another Dream
8. Mermaid
9. That’s Wow
10. People Why’re You Weeping?
11. Tell Mum
12. Annette
13. Spree
14. Cross That Line
15. Pisces Reprisces
In August 1989 the Plunderers put on a show at the Lansdowne Hotel in Sydney to celebrate the 20th anniversary of the Woodstock Festival. They played as Hippy Dribble and entertained the 500 delirious punters with sprawling renditions of late 60s songs (from “Open My Eyes” by the Nazz to Donovan’s “Epistle To Dippy”). A year later, on the 25th August 1990, they returned to the Lansdowne, again as Hippy Dribble, but this time playing an all-original set and launching a 12 inch EP called Wild Strawberri, with four songs: “Take A Ride” (one of the first songs Stevie and Nic wrote together in 1994), “Motels On My Mind” (a Stevie song pre-dating the Plunderers from their band Get Set Go) and two new songs “Dog The Bone” and “Hippy Dribble”.
A week later, on Monday 3rd September, the Plunderers booked the upstairs studio at Troy Horse and documented the set list (minus the EP songs, except for ”Take A Ride”) live to tape. Engineer Michael Levis had his hands full: not only did he have to keep a constant check on what was being recorded and adding special effects here and there, he also had to ‘ride’ the ‘altered states’ cassette. This 30 minute tape of psychedelic backwards music and tin whistle that Nic had made on his four track was a feature at all of the Hippy Dribble shows – either played through the PA’s cassette deck or on a portable cassette deck placed on the stage with a microphone swinging back and forth above it.
A few of these songs on The Blue Tinge were re-recorded for the Silver Apples album over the next two years (“Oceans So Deep”, “Just Another Dream”, “That’s Wow”, “People Why’re You Weeping?” and “Spree”), while some of these songs were from the Plunderers’ past (“Take A Ride”, “What’s Her Name”, “Lena Lee” and “Annette”) and others were unique to this recording (“Mermaid”, “Pisces”, “Together All The Time” and ‘Cross That Line”).
The Blue Tinge recorded live to tape on 3rd September 1990 by Michael Levis at Troy Horse Studio, Newtown. Stevie Plunder: guitar, vocals / Nic Dalton: bass, vocals, tin whistle / Geoff Milne: drums / Michael Levis: ‘altered states’ cassette. Mastered by Nic at the Nook 2019.
1, 3 (S. Plunder/N. Dalton) 2, 8, 9, 10, 11, 14, 15 (S. Plunder/N. Dalton/G. Milne) 4, 6, 13 (N. Dalton) 12 (N. Dalton/P. Velzen) 5, 7 (S. Plunder/S. Higgie/N. Dalton)
Reviews
Silver Apples
“But history lessons aside, the sound is more important than the statistics. The disc happily presents a collection of slinky, mellow songs (like “Filthy” and “Dying”) and zippy pop tunes with its fair share of ‘ooh oohs’ (“Lurve”) and ‘woo woos’ (“Crayon Cafe”) and ‘ba ba bas’ (“And So The Story Goes”). The trio also turn up the faders on the rockier tracks such as “Take A Ride” and “Dog The Bone”. Tunes like “Spree” show an ever-economical side to the band with each of the above styles cropping up in five minutes of music. And don’t forget the psychedelic “Last Time” – weird vocals and creepier backing vocals amidst a swinging ’60s beat. All in all a top album. Plunderers fans will love it, and so, quite possibly, will you.” – Melanie Jones, Rip It Up, March 1995