Nic Dalton and his Gloomchasers
The Last Fan is the third and final Gloomchasers album. What was going to be an album of new songs written since 2010’s Play All Night has ended up being a collection of unreleased tracks, demos, singles and live tracks recorded between 2004 and 2010. Since Play All Night, the band has changed so much that I realised that the new songs we’d been recording for the ‘next record’ weren’t the Gloomchasers!
For starters – apart from three songs – they aren’t country enough. These new songs had electric guitars and keyboards on them, which the other two albums didn’t have. Over the last few years, the live band has morphed into an outlet for reviving songs from previous bands of mine (Godstar, Plunderers, Love Positions) and the occasional Velvet Underground cover. So far removed from the original idea of a bluegrass-inspired folk-rock band with banjo and mandolin on every song with the only electric instrument being the bass.
The Gloomchasers played their last show in November 2019 and the new songs we have been recording will now be released in 2021 under a new band name, whereas the songs on The Last Fan are true to the spirit of what the Gloomchasers set out to achieve. This is partly due to the lyrics of Lucy Lehmann, who created a character – a ‘rocker now trying to settle down’ – and I was more than happy to make fun of myself singing her words. The other important thing is that all the original songs were either written in the country or were written about the life I lived for over five years in Morongla Creek (fifteen minutes south of Cowra, in NSW’s Central West).
There was a drought on the whole time I was living in the country and “I Want Rain On Christmas Day” is a song Lucy and I wrote about a farmer who wishes for rain whilst not being able to afford Chrissy presents for his kids. “The Diva” is a fictional tale based on reality when I caught a train from Sydney to Melbourne on Melbourne Cup Day in 2005 and the race was being relayed to the passengers over the PA. I took note that around race time the train went past a town called Henty so I imagined a Henry Lawson-esque story where all the passengers disembark and watch The Cup in the Doodle Cooma Arms hotel. When I told Lucy the idea for the song she went off and wrote eleven verses!
The oldest song here is an alternative take of “There He Is” (the Sneeze song we covered on Home Of The Big Regret) performed by Cowra bluegrass band The Lynch Mob in 2004. Inspired by an album by Nashville guitarist called Jerry Kennedy Plays: With All Due Respect To Kris Kristofferson I asked Tim Kevin to add the melody line on electric guitar. Tim’s guitar is all over this album and his wife Kym-Louise Barton also sings harmony on “Miss Fortune”, a song I wrote with Stella McDonald.
*****
November 2019: After fourteen years, the Gloomchasers have been switched off. The original idea of a folk-rock band with a whiff of bluegrass had morphed into a live act with no direction: covers by Daddy Cool, Taylor Swift and the Velvets sat next to old Godstar and Plunderers songs, whilst the new originals were turning to each other and asking what are we doing here? You only have to listen to this version of Smudge’s “Scary Cassettes” to hear the difference compared to the earlier releases.
Thanks to the recent line-up of the Gloomchasers – Luke, John, Elmo, Peter, Kathryn and Jonathan – for your time and talent and playing the occasional show with no rehearsals. The new album the band started recording in 2017 will now come out in 2020 under the name The Dairy Joys. Some of it will sound like the two albums the Gloomchasers put out in 2005 and 2010 – both heavy with banjo and mandolin – but most of it won’t. The electric guitar and keyboards are back.
Back in 2005-06 the Gloomchasers were based in Melbourne and had a line-up consisting of Lucy Lehmann on the gut string acoustic, Ben Mason on the electric bass, Lachlan Franklin on the drums, Paul Rigby on the banjo with Nic Dalton on the acoustic guitar and mandolin. They all sang. Most of the songs were from the Home Of The Big Regret album and the ‘new’ one the band was about to record – Play All Night – which came out four years later.
The band was a lot different from the one that evolved when Nic moved back to Sydney in 2006. They were definitely a country/folk-rock/bluegrass band. “We hadn’t gone electric yet! ” Nic said. Two live shows from the ‘Melbourne line-up’ were recorded and are available online, The first one from a show at the Empress Hotel in October 2005 and the second one from the Hopetoun Hotel in July 2006.
Musical chairs
From about 2011 onwards Nic started to play the electric guitar in the Gloomchasers (as well as keeping up the mandolin and the acoustic guitar). The big change was Lucy leaving the band. Luke has been the constant bass player since the turn of the new decade and the Gloomchasers have a revolving line up including Katherine Brownhill (violin, accordian), John Encarnacao (keyboard), Peter Velzen (drums), Elmo Reed (guitar), Peter Timmerman (drums), Tim Kevin (guitar) and Jonathan Nix (cigar box guitar).
The live band (2007-2010) in Sydney: Luke Russell on the bass (replacing Kevin McClaer who moved down to Melbourne), Danny Heifetz on drums, Nic Dalton on lead vocals/guitar/mandolin and Lucy Lehmann on gutstring guitar/backing vocals. Gavin Farley came down from Morpeth (near Maitland) when he could to pick some banjo.
In Melbourne, the lineup (2005-2006) was Paul Rigby on the banjo/mandolin, Ben Mason on the bass, Lachlan Franklin on the drums/guitar, Nic Dalton on lead vocals/guitar/mandolin and Lucy Lehmann on gutstring guitar. Everyone sang harmonies.
READ MOREHome Of The Big Regret
From the press release: For five years, Nic Dalton lived on a farm at the outskirts of Morongla, population 40, in central-west NSW. It was a regular occurrence, on the way to Sydney, to drive through Goulburn, home of The Big Merino. When his long-time girlfriend, Lucy Lehmann, left him, he declared Morongla the ‘Home Of The Big Regret’ and changed the hamlet sign to ‘Pop. 39’. Nic had always planned to record his second solo album (his first was the 1998 release, Romolo, which was a collection of four-tracks from 1986-88) before his fortieth birthday. “At the beginning of 2004, when I started to list all the songs I wanted to record, it dawned on me that half of them were either written by Lucy, or co-written with her. We’d broken up the year before, but had remained long-distance friends. It was looking like this album was going to be about our relationship: a break-up album. I called Lucy and told her this. We wrote a few more songs together to bring the concept to a full realisation.”
Home Of The Big Regret has an almost entirely acoustic line-up (except for the bass guitar), a world away from what Nic had originally envisaged for a solo album: “I always thought I’d do it with a regular line-up of electric guitars, keyboards and group vocals, like the Buffalo Springfield or Teenage Fanclub. Folk-rock with psychedelic overtones.” The sound of the album is a response partly to five years on a farm, where a lot of country, folk, bluegrass and singer-songwriter music found its way onto his record-player and also to the contributions that Lucy – a life-long country and western devotee – made to their co-writes. The songs on Nic’s to-do list simply lent themselves more to a mandolin and a gutstring guitar than to fuzz pedals and the trusty ol’ Casio MT-65.
Home Of The Big Regret was recorded between July and November 2004. “I wanted the sound of some late-60s country pop production line, where each song is stamped with exactly the same mix of instrumentation.” The standard electric guitar/bass/drums rhythm section was replaced by an underlay of banjo and mandolin with country bass and drums. John Encarnacao scored string arrangements for each of the thirteen tracks. “He said to me, ‘You’re not going to have banjo and mandolin on all the songs?’ ‘Of course!’ I replied.”
Some of Australia’s finest bluegrass musicians play on the album – The Lynch Mob from Cowra, Jenny Shimmin on banjo and Mick Moffitt on mandolin. Danny ‘Mr Bungle’ Heifetz is on drums and Bill Gibson on bass. Members of the Sydney Symphony Orchestra play strings, and other guests include Marcus Amann, Darren Hanlon, Ben Pettit, Tom Morgan and Leticia Nischang.
Play All Night
The second Gloomchasers album was released December 3rd, 2010 (on vinyl, compact disc and digital) and was launched at the Petersham Bowling Club the night before. They were supported by Dog Trumpet and Ruby for Lucy and it was drummer Danny Heifetz’ last show with the band for quite some time as he went back to the US for a year. Play All Night features both the ‘Melbourne’ line-up and the ‘Sydney’ line-up with special guests such as Bernie McGann (saxophone), Darren Hanlon, Bryan Estepa and Tim Kevin. All songs were written by Nic Dalton and Lucy Lehmann except “The Circus Clown” (written for Nic by Ben Lee in 1996) and covers by Danny O’Keefe and Greg Macainsh (Skyhooks’ “All My Friends Are Getting Married”).
Pics
Video
Buy Music
The Last Fan
No, Please, No – single
Play All Night
Home of the Big Regret
Hopetoun Hotel 22nd July 2006
The Empress Hotel 7th October 2005
Bonafied Lovin’ (Chromeo cover)
Alone (Rick Nelson cover)
Scary Cassettes (Smudge cover)
Discography
The Last Fan
The Last Fan credits
Engineers: Russell Pilling, Nic Dalton, Ben Mason, Tim Kevin
Players: Nic Dalton, Lucy Lehmann, Ben Mason, Lachlan Franklin, Paul Rigby, Gavin Farley, Kevin Maclaer, Danny Heifetz, Bill Gibson, Tim Kevin, Luke Russell, Kym-Louise Barton, The Lynch Mob: Wayne Lynch, Ian Hobba, Anthony Higgins, Justin Lynch.
Recorded between 2004 and 2010 at Damien Gerard Studio (Sydney), “Iambi” (Morongla Creek), Wayne & Gabi’s (Cowra), Bakehouse Studio (Melbourne), Digger’s Rest (Victoria), Tempe River Studio (Sydney), The Nook (Sydney), Petersham Bowling Club (Sydney)
Songs written by: 1. Lehmann/N. Dalton 2. Patrick Gemayel/David Macklovitch 3. Stella McDonald/Nic Dalton 4. N. Dalton/T. Kevin 5. L. Lehmann/N. Dalton 6. Rick Nelson 7. T. Morgan/N. Dalton 8. L. Lehmann/N. Dalton 9. L. Lehmann/N. Dalton 10. L. Lehmann/N. Dalton 11. Ben Lee 12. N. Dalton 13. N. Dalton/L. Lehmann 14. Doug Sahm
Mastered by Tim Kevin at Tempe River Studio November 2020
Dedicated to Justin Lynch RIP
Cover painting “Snowy Hut” by Phillip Smith 13/11/1990
Ⓟ 2020 Half A Cow Records Ⓒ 2020 Half A Cow Records
Play All Night
Play All Night (hac143v) vinyl
Released November 2010
The second album from Nic Dalton and his Gloomchasers. The limited edition vinyl (100 copies – cover hand-painted and silkscreened by Nic, includes cd booklet and cd-r of album) is also available.
Side One:
1. Strawberry Hills
2. Okay Sydney, you beat me
3. Harry’s demos
4. Six hours west
5. The Circus Clown
6. Drew’s comfort
7. And baby makes two
Side Two:
1. All my friends are getting married
2. Take me as I am
3. Tender, tender
4. I’m sober now
5. The last fan
Play All Night (hac143) cd
1. Strawberry Hills
2. Okay Sydney, you beat me
3. Harry’s demos
4. Six hours west
5. The Circus Clown
6. Drew’s comfort
7. And baby makes two
8.All my friends are getting married
9. Take me as I am
10. Tender, tender
11. I’m sober now
12. The last fan
Home of the Big Regret
Home of the Big Regret (hac114)
Released 2005
Also released on 12″ LP (bub03) on Best Unbeaten Brother Records in Norway and pressed by CZ in Czechoslovakia. Includes full colour cover and insert.
Side One:
1. There’s Nobody Coming Over
2. A Century Too Late
3. Deepwater
4. Three Strikes
5. All My Love
6. How Do You Feel?
Side Two:
7. Play All Night
8. I Should’ve Said, You Should’ve Asked
9. Two Empty Beds
10. There She Is
11. Somewhere Else
12. Heaven Can Wait Champion Of The World
13. There’s No One Waiting In The Wings
Hopetoun Hotel 22nd July 2006
Hopetoun Hotel 22nd July 2006 (via547)
Released October 2017
This is a live recording of the original Gloomchasers line up when the band was based in Melbourne. Paul Rigby on the banjo/mandolin, Ben Mason on the electric bass, Lachlan Franklin on the drums/acoustic guitar, Nic Dalton on lead vocals/acoustic guitar/mandolin and Lucy Lehmann on gut string guitar. Everyone sang harmonies. Paul plays the harmonica on “There She Is”.
Recorded at the Hopetoun Hotel on 22nd July 2006 on a Tascam 244. Mixed at Glebe Studios (the old ATA Studio) on Glebe Point Road that Col Joye owned. He popped in and we had a friendly chat about mandolins. My apologies to the engineer, I can’t recall their name. The live photo is by Danny Sullivan.
Three Strikes
Deepwater
All My Love
Play All Night
Take Me As I Am
No Please No
Tender Tender
There She Is
Somewhere Else
The Circus Clown
Okay Sydney, You Beat Me
There’s No One Waiting In The Wings
There’s Nobody Coming Over
All My Friends Are Getting Married
All songs by N. Dalton/L. Lehmann except 1, 7, 11, 13 N. Dalton, 8 T. Morgan/N. Dalton, 9 L. Lehmann, 10 B. Lee, 14 G. Macainsh
The Empress Hotel 7th October 2005
The Empress Hotel 7th October 2005 (via548)
Released October 2017
This is a live recording of the original Gloomchasers line up when the band was based in Melbourne. Paul Rigby on the banjo/mandolin, Ben Mason on the electric bass, Lachlan Franklin on the drums/acoustic guitar, Nic Dalton on lead vocals/acoustic guitar/mandolin and Lucy Lehmann on gutstring guitar. Everyone sang harmonies. Someone plays the glockenspiel on “Somewhere Else” and Paul plays the harmonica on “There She Is”.
Recorded at the Empress Hotel, North Fitzroy on 7th October 2005 at a La Huva launch on a Tascam 244. Mixed at Glebe Studios (the old ATA Studio) on Glebe Point Road that Col Joye owned. He popped in and we had a friendly chat about mandolins. I have forgotten who the mix engineer was. My apologies. Not sure who took the cover photo, but thanks!
Intro song / A Century Too Late
Deepwater
Three Strikes
All My Love
How Do You Feel?
There She Is
I Should’ve Said, You Should’ve Asked
Play All Night
Take Me As I Am
Somewhere Else
There’s Nobody Coming Over
There’s No One Waiting In The Wings
All My Friends Are Getting Married
All songs by N. Dalton/L. Lehmann except 3, 11 N. Dalton, 6 T. Morgan/N. Dalton, 1, 5, 10 L. Lehmann, 13 G. Macainsh
Bonafied Lovin’
Bonafied Lovin’ (hac137)
Released December 2008
Some light summer reading while the Gloomchasers finish off their second album Play All Night due out December 2010. This is a bluegrass cover of Chromeo’s disco hit “Bonafied Lovin’”.
The Gloomchasers on this recording are Nic Dalton on lead vocals and mandolin, Gavin Farley on banjo, Lucy Lehmann on gutstring guitar, Kevin McClaer on bass, Danny Heifetz on the drums and the backing vocals are by whoever we could muster up at the time.
Recorded at the Nook and Damien Gerard Winter 2008 and mixed by Russell Pilling. Mastered at Onesiphorus.
Alone
Alone (via571)
Released August 2006
A Rick Nelson song recorded for tribute album Easy To Be Free: the Songs of Rick Nelson released by Planting Seeds Records in 2006.
Recorded in 2006 by Nic Dalton and Ben Mason on a Tascam 244 and mixed by Ben Mason at Bakehouse, Fitzroy VIC. Nic Dalton: lead vocals, mandolin/Lachlan Franklin: drums/ Lucy Lehmann: gutstring guitar/Ben Mason: electric bass/Paul Rigby: banjo, pedal steel/backing vocals by the Gloomchasers. “Alone” written by Rick Nelson.
Scary Cassettes
Scary Cassettes (via572)
Released November 2014
A Smudge cover originally released on the Manilow Tribute! LP in 2015. Recorded in 2014 by Nic Dalton at the Nook, Juliett Street, Enmore. Mixed by Tim Kevin at Tempe River Studio, Marrickville. All instruments by Nic Dalton except keyboards by John Encarnacao.”Scary Cassettes” written by Tom Morgan.
Reviews
Play All Night
Review by Renee Trilivas
Former bassist for The Lemonheads and Half A Cow Records owner, Nic Dalton returns with his gang of folk-rocking Gloomchasers on their new album Play All Night. This album reflects Dalton’s own progression from a hyperactive, prolific rockstar to a faded musician with a wife and child. The swampy, homespun bluegrass with a melodic backbone and breezy, ambling lyrics—minus that annoying southern twang—is the follow-up to 2005’s Home of Big Regret about Dalton’s move to the country with now ex-girlfriend Lucy Lehmann, who plays the gutstring guitar and sings backing vocals on the album.
Dalton’s maturation doesn’t squash all of the fun out of the new album, the plucky banjo and sporadic bursts of trumpet and trombone uplift the melancholy themes while lyrics like “I smoked pot with Harry Nilsson six months before he died” on “Harry’s Demos” or “I feel so cheap just to be a f-cking circus freak” on “The Circus Clown” also provide the album with a quirky boost of kitsch.
Key Tracks: “Okay Sydney, You Beat Me”, “Take Me As I Am”, “The Last Fan”
https://reneetrilivas.com/2011/02/17/nic-dalton-play-all-night/
Home of the Big Regret
“Here’s a concept: A breakup record, written with your ex-girlfriend after you’ve broken up. Nic Dalton is an Australian indie legend (Plunderers, Godstar, Sneeze), who became a big pop star in the 90s, playing bass in the Lemonheads. He also runs the Half A Cow label. This solo album sees him taking another left turn, exploring country, bluegrass and folk as he documents his breakup with Lucy Lehmann (who also plays on the record and provides the liner notes). The rootsy and reflective record is one of the year’s best.” – Australiana with Jeff Jenkins